The class contributes to the achievement of the educational objectives of the Master of Arts course in Language Technologies and Digital Humanities by providing adequate knowledge of the use of information technology…
Scheda dell'insegnamento
Obiettivi formativi
The class contributes to the achievement of the educational objectives of the Master of Arts course in Language Technologies and Digital Humanities by providing adequate knowledge of the use of information technology tools in the arts of sounds.
The instructor will focus on the following skills: reasoning, contextualization, and processing recent literature on this main topic.
The students shall acquire abilities of critical analysis and historical and philosophical contextualization of the main themes developed in the class. They will increase their argumentative abilities and the depth of independently interpret developed arguments. Preliminarily, the students will acquire the following information:
- adequate knowledge of the involved themes,
- analytical and argumentative abilities in the discussion of the texts related to the topics explored in the class.
Programma
How can a musical work be placed in a museum? And are there other sound objects of aesthetic interest besides musical works? The lessons will focus on the following topics.
What are sounds? (Sound objects)
The problem of the musealization of musical works (the primacy of practice in the ontology of music)
Music and music archives
Soundscapes and soundscapes design
From electronic music to digital music and digital sounds generation
From music industry to genAI music
Modalità d'esame
The evaluation will be based on a final written test. To meet the course requirements, the students will have to show:
a) the ability to present and analyze the topics developed in the class;
b) good mastery of the scholarly lexicon involved in the discussion of the main topics;
c) the ability to identify connections and relations of interdependence among the texts studied during the class.
The final grade is based on a scale of thirty points.
Testi di riferimento
Two texts to be chosen from the following:
- Schaeffer, Pierre. Treatise on Musical Objects: An Essay across Disciplines. Translated by Christine North and John Dack. Oakland: University of California Press, 2017.
- Steintrager, James A., and Rey Chow, eds. Sound Objects. Durham, NC: Duke University Press, 2018.
- Bull, Michael, ed. The Routledge Companion to Sound Studies. London/New York: Routledge, 2020.
A text of your choice from the following:
- Santi, Matej, and Elias Berner, eds. Music -; Media -; History: Re-Thinking Musicology in an Age of Digital Media. Bielefeld: transcript, 2021.
- Kirby, Sarah, ed. Music, New Media and the Archive. Cham: Palgrave Macmillan, 2025.
A text of your choice from the following:
- Brigitte Schulte-Fortkamp, André Fiebig, Joseph A. Sisneros, Arthur N. Popper, and Richard R. Fay, eds. Soundscapes: Humans and Their Acoustic Environment. Springer, 2023.
- Usue Ruiz Arana. Urban Soundscapes: A Guide to Listening for Landscape Architecture and Urban Design. Routledge, 2024.
A text of your choice from the following:
- Christiane Paul, Digital Art, 4th ed. Thames & Hudson, 2023.
- Pita Arreola, Corinna Gardner, and Melanie Lenz, eds., Digital Art: 1960s-now. Victoria and Albert Museum / Thames & Hudson, 2024.
Codice insegnamento STU0690