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Prisoners
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Piranesi's "carceri d'invenzione" depict imaginary prisons, blending ancient and contemporary perspectives. These engravings show vast, mysterious spaces with unclear functions, focusing on the mental and physical effects of such environments. The 18th century saw a shift from torture to imprisonment as punishment, reflecting changing social dynamics and power structures. Foucault's work explores this transition, highlighting how prisons became tools for social control rather than just punishment. Aldous Huxley interpreted these engravings through the history of prisons, noting early chaotic institutions contrasted with later designed ones aiming for o
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- Imaginary prisons by Giovanni Battista Piranesi depict enormous subterranean spaces with mysterious, unclear functions and horrific machines, blending archaeological and mental landscapes.
- Piranesi's engravings, created in the 18th century, reflect the changing perspective on crime and punishment during the Enlightenment, influenced by Cesare Beccaria's "On Crime and Punishment."
- Michael Foucault argues that the shift from torture to imprisonment was not due to enlightenment but a change in how social power expressed itself, highlighting the transition from aristocracy to bourgeois control.
- Aldous Huxley sees Piranesi’s prisons as sources of inspiration for contemporary interpretations and critiques old-fashioned, chaotic prisons like Newgate, designed by George Dance after the Enlightenment's shift in disciplinary practices.
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CONTEMPORARY INTERIORS · 2° anno · 1° semestre · 6 CFU · CEAR-11/A
Besides the knowledge of exemplary case studies within the design history from WWII to the present, the course aims at encouraging a critical approach towards the world of contemporary interiors, one that can interpret in an organic way the conception, the design and the use of the space. Students: know and…