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I.Acustica Musicale (Modelli della percezione musicale)

Università degli Studi di Milano informatica musicale 2020
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  • Musical acoustics relies on human perception to evaluate sounds, encompassing physical quantities, perceptual system performance, and musical parameters.
  • Audio information types include: Environmental sounds (recognizable, non-linguistic), Speech (phonemes, linguistic structure), and Music (known sounds, emotional content).
  • The Acoustic Chain describes the sound path from excitation through various mediums and the ear to nervous system perception.
  • Fundamental physics concepts include scalar (time, energy) and vector (velocity, force) quantities.
  • Periodic motion generates sound; forces, governed by Newton's Laws, cause motion.
  • Elasticity, like that of air or springs, allows materials to return to shape, as described by Hooke's Law.
  • Harmonic motion is defined by Period (T), Frequency (f), Amplitude, and Phase.
  • Work, Energy (potential, kinetic), and Power are key concepts in sound physics.
  • Damped harmonic motion reduces amplitude due to friction. Forced oscillations can cause resonance when the driving frequency matches the natural frequency.
  • Complex vibrating systems (strings, sound tubes) produce a fundamental frequency and harmonics (overtones).
  • The Principle of Superposition allows waves to combine. Beats result from summing similar frequencies, modulating amplitude.
  • Fourier's Theorem states periodic functions are sums of sinusoids. Fourier Analysis reveals harmonic content (spectrum), defining waveforms (e.g., sawtooth, square) and timbre.
  • Noise types like white noise (flat spectrum) and pink noise (3dB/octave) are used for audio testing.
  • Musical sounds have distinct temporal phases: attack transient, steady state, and decay.
  • Elastic waves propagate energy (not matter) through continuous media (longitudinal, transverse, surface, spherical), characterized by wavelength and velocity.
  • Wave interactions include reflection, diffraction, and refraction.
  • Impedance is resistance to vibratory energy flow.
  • Sound wave intensity is energy per unit time per area, decreasing with distance squared and proportional to pressure squared.
  • Sound intensity levels are measured in decibels (dB), reflecting logarithmic human perception. SIL, SPL, and Power Level calculations are covered.
  • In music, intensities under 50 dB are often negligible, while over 100 dB can be harmful. The human auditory range is 20-20,000 Hz.
  • Temporal processing in music occurs at microscopic (primary sensations), intermediate (identification), and macroscopic (cognitive/emotional) levels.
  • The human voice uses the larynx (vocal cords for fundamental frequency) and vocal tract (formants for resonance), with the "singing formant" critical for projection.

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